If anything can be called the Borokov Borokov formula, it can probably be distilled from the following quote: “First and foremost, we make music we want to dance to ourselves. Even when the music in question doesn’t immediately sound like dance music.”

The result might resemble angular synthpop, … unfit-for-work hi-NRG, krauttrock with a double ‘t’, supra-Freudian electropunk, acid house with a birthday theme, no no wave, a polyphonic panic attack, or a multilingual lament. As if with every track, the band seizes a new opportunity to waltz free from the straitjacket of their own mold—albeit without any guarantee of success. Incidentally, they found their first drum machine at a landfill in Borsbeek.

Support Lèzard operates on the fault line between comedy and tragedy with songs that unfold like a comic theatre piece, alongside the cacophony behind the scenes. Sonically, it’s a dazzling mix of post-punk, disco, glam rock, new wave, and electroclash.

Extra extra extra support by the italo-euro-pop inspired musical and performative duo Gonzo Bimbo. Expect melody driven dance grooves combined with extravagant weirdo performances. Minimal equipment, maximum energy.